These are some articles I would like to use in my research which are not be found in any local libraries and which I cannot attempt to order from non-local ones without incurring ridiculous costs. I would appreciate any information on where possibly to get copies or photocopies. As regards the latter, I could copy any of several millions of articles that are here in exchange.
Paul Ackerman, "What Has Happened to Popular Music?," High Fidelity 8 (June 1958): 34–37, 107–108.
anonymous, "Communication, That's the Name of the Game," Arts Review, 17 September 1966.
anonymous, "The New Rock," Jazz & Pop 6(6) (June 1967).
Pat Arrowsmith, "Auto-Destructive Art," Peace News, 22 July 1960.
Mike Ashman, "Beatles 1963 to 1973," Records and Recording 16 (September 1973): 24–30.
Stewart Asquith, "Juvenile Justice and Ordinary Language," Scottish Journal of Sociology 4(2) (1980): 193–211.
Guy Aston, "A proposito dei Beatles," Paragone 24(280) (giugno 1973): 107–118.
L. Bàccolo, "I 'Beatles' e San Francesco," Il Ponte 21 (1965): 708–709.
W. Badika, "Wittgenstein, le Tractatus Logico-Philosophicus et la métaphysique," Revue philosophique de Kinshasa 1 (1983): 123–135.
Lester Bangs, "Pop Music in the Eighties," Stereo Review 44(1) (1980): 74–76.
Reyner Banham, "City as Scrambled Egg," Cambridge Opinion 17 (1959): 18–23.
Gordon C. F. Bearn, "Wittgenstein and the Uncanny," Soundings 76(1) (1993): 29–58.
T. R. Bingham, "Ten Neglected Rock Classics," High Fidelity 21 (October 1971): 28 ff.
Ian Birchall, "The Autonomy of Theory: A Short History of New Left Review," International Socialism 10 (1980–1981).
Robin Blackburn, "Let It Bleed," Red Mole 1(3) (April 1970).
Peter Blake, "Art into Music," Aspects 31 (Winter 1985–1986).
T. Blitz, "Hits from the Golden Grooveyard," Redbook 139(8) (1972): 74–75.
David Boland, "Pop Art: A Reflection," Aspects 33 (Winter 1986): 10–11.
Raymond Boyer, "Le bourreau au Canada," Canadian Psychiatric Association Journal 9 (1964): 521–532.
Euríalo Cannabrava, "Ludwig Wittgenstein," Revista brasileira de filosofia 2 (1952): 48–76.
J. L. Cartwright, "'May God have mercy on your soul'," Canadian Journal of Psychiatric Nursing 15(5) (1974): 8–10.
Thilo Castner, "Pop-Art und Beat-Kultur," Wirtschaft und Erziehung 19 (1967): 357–361.
Robert Christgau, "Secular Music," Esquire, December 1967: 283.
Frederick Copleston, "Ludwig Wittgenstein as Philosopher," Revista de Faculdade de Letras de Lisboa 111(8) (1964): 19–30.
Cairns Craig, "Nation and History," Cencrastus 19 (Winter 1984).
Tim Craker, "Der Sprache ins Auge sehen: Wittgenstein und Bedeutung als Physiognomie," in Rüdiger Campe & Manfred Schneider (Hg.), Geschichten der Physiognomik: Text, Bild, Wissen (Freiburg: Rombach, 1996): 535–552.
C. B. Daly, "Logical Positivism, Metaphysics and Ethics: Ludwig Wittgenstein," Irish Theological Quarterly 23 (1956): 111–150.
C. B. Daly, "Wittgenstein's 'Objects'," Irish Theological Quarterly 23 (1956): 431–414.
D. Dauert, "Der mystische Logistiker Wittgenstein," Die Pforte 132 (1966): 66–70.
André Decourriere, "L'abolition de la peine de mort en France," Revue de droit pénal et de criminologie 62 (1982): 485–489.
Michael Disend, "Doo Wop Notes: Sixteen Candles on the Shrine of Saint Cecilia," Village Voice 24 (4 June 1979): 45–47.
André Du Toit, "Legitimate Anachronism as a Problem for Intellectual History and for Philosophy," South-African Journal of Philosophy 10(3) (August 1991): 87–95.
Raymond Durgnat, "The Mass-Media: A Highbrow Illiteracy?," Views 4 (Spring 1964): 49–59.
Raymond Durgnat, "The Impotence of Being Ernest," Views 8 (Summer 1965): 76–80.
Terry Eagleton, "New Bearings: The Beatles," Blackfriars 44 (1964): 175–178.
Olga C. Estrada Mora, "La estética y lo siniestro (I)," Revista filosófica (Costa Rica) 29 (1991): 189–196.
Olga C. Estrada Mora, "La estética y lo siniestro (II)," Revista filosófica (Costa Rica) 30 (1992): 63–72.
M. Farrell, "Execution by Poison Gas and Lethal Injection," Criminologist 18(4) (1994): 201–204.
Kim Field, "Fever and Fate," Village Voice Rock & Roll Quarterly, Spring 1990: 20–27.
Roger Finnis, "The First Group in the World," Rolling Stone 43 (4 October 1969).
Kurt R. Fischer, "Paul Feyerabend, der Wiener Kreis und Wittgenstein," in Friedrich Stadler (Hg.), Wissenschaft als Kultur: Österreichs Beitrag zur Moderne (Wien: Springer, 1997): 67–78.
Jaíme Florensa Jaumandreu, "Los primeros pasos del rock 'n' roll," Historia y vida 268 (1990): 118–121.
Vilém Flusser, review of Philosophische Bemerkungen by Ludwig Wittgenstein, Revista brasileira de filosofia 16 (1966): 129–132.
Kristine Fredriksson, "Springs of Tradition: The Country Influence in the Music of Buddy Holly," Mid-America Folklore 16(2) (1988): 100–108.
Guido Frongia, "Wittgenstein trent'anni dopo," Nuovi argomenti 10 (1984): 64–79.
Peter Fuller, "The Crisis in British Art," Art Monthly 8 (1977): 8 ff.
Peter Fuller, "The Crisis in British Art," Art Monthly 9 (1977): 10 ff.
Andrew Funke & Peter Knapczyk, "The Johnny Otis Collection," Resound 17(1–2) (1998): 1–7.
Richard A. Goff, "The Wittgenstein Game," Christian Scholar 45(3) (1962): 179–197.
A. Goldschläger, review of La philosophie du langage de Ludwig Wittgenstein by Gilbert Hottois, La pensée et les hommes 21 (1977): 195–200.
Robert Harlan, "Wittgenstein's Critical Project," Graduate Faculty Philosophy Journal 6 (1977): 209–240.
Ross Harley, "Hiding in the Light: Extended Club Mix with Dick Hebdige," Art and Text 26 (1987): 67–78.
Frank Harper, "California's Death-Penalty Fight," Dissent 8(1) (1961): 99–102.
Brandon L. Harris, "Buddy Holly: The Mystery Tapes Unraveled," Time Barrier Express 3 (1979): 13–17.
Christopher Harvie, "Liturgies of National Decadence: Wiener, Dahrendorf and the British Crisis," Cencrastus 21 (1985): 17–25.
John Higgins, "The Age of Wittgenstein," Pretexts: Studies in Writing and Culture 7(1) (1998): 129–140.
Brian Hinton, "All Grown Up," Melody Maker, 28 March 1981: 15.
Paul K. Hoch, "Between Central European Physics, American Philosophy and Scientific Sociology: A Social Epistemology of the Inter-National, Inter-Institutional and Inter-Disciplinary Migrations of the Vienna Circle," unpublished paper delivered at the International Congress of Logic, Methodology and Philosophy of Science, Uppsala, Sweden, 1991.
Jochen Hörisch, "'Unaufhaltsam rollt sie hin ...': Peter Härtling, Theodor W. Adorno, Thomas Mann und die Beatles hören Schubert," in Otto Kolleritsch (Hg.), "Dialekt ohne Erde": Franz Schubert und das 20. Jahrhundert (Wien: Universal Edition, 1998): 259–276.
L. James, "Hanging: The Aftermath," Justice of the Peace 147 (1983): 552–553.
Georg Jánoska, "Die Praxis in der Spätphilosophie Wittgensteins," Manuskripte 54 (1976): 82–88.
Alain Joannès, "Trente ans de 'rock and roll'," Histoire 67 (1984): 90–93.
Malcolm Jones, "Buddy Holly," ZigZag 9 (January–February 1970).
E. Kahn, "Capital Punishment: The Background to the Recent Reforms," Justice of the Peace 155 (1991): 206–207.
E. Kahn, "Capital Punishment: The Recent Reforms," Justice of the Peace 155 (1991): 238–239.
Manfred Kerkhoff, "Valores/vapores? Schopenhauer y Wittgenstein sobre el suicidio," La Torre: revista de la Universidad de Puerto Rico 4(11) (1999): 121–131.
Gary King, "Buddy Holly: The Last Tour," Music World 82 (1981): 8–15.
Hugh J. Klare, "Capital Punishment: An Abolitionist View," Criminologist 4(13) (1987): 75–82.
Konstantin Kolenda, "Avoiding the Fly-Bottle," Southwest Philosophy Review 7 (1991): 19–26.
Viktor Kraft, "Ludwig Wittgenstein," Wiener Zeitschrift für Philosophie, Psychologie, Pädagogik 3(3) (1951): 161–163.
Dominique Laplane, "Langage et pensée," Revue du praticien 41 (1991): 143–149.
Peter Lehman, Robin Wood & Edward Lachmann, "Wim Wenders: An Interview," Wide Angle 2(4) (1978): 72–79.
Gary Levvis, "Reply to Sievert Concerning Wittgenstein's Early Philosophy," Southwest Philosophy Review 10 (1994): 179–184.
Pete Lowry, "Atlanta Black Sound: A Survey of Black Music from Atlanta During the Twentieth Century," Atlanta Historical Bulletin 21(2) (1977): 88–113.
Edward Lucie-Smith, "What Ever Happened to British Pop?," Art and Artists, May 1967.
E. Lukas, "Haut den Wittgenstein!," in J. Markt (Hg.), Auf dem Plärrer (Augsburg: Vonwegen, 1975).
Scott MacDonald, "Putting All Your Eggs in One Basket: A Survey of Single-Shot Films," Afterimage 16(8) (March 1989): 10–16.
D. A. MacIver, "Can Linguistic Philosophers Teach Teachers Anything Worthwhile?," Teacher Education 5 (1972): 44–49.
A. M. Mardiros, "Shapers of the Modern Outlook — Ludwig Wittgenstein: Philosopher," Canadian Forum 33 (1954): 223–225.
Mustapha Marrouchi, "Shifting Grounds: From l'Être-pouvoir to l'Être-savoir to l'Être-plaisir," Canadian Review of Comparative Literature 19 (1992): 539–567.
K. M. Martindale, "Contingency and Goodness in Iris Murdoch's An Accidental Man and Wittgenstein's Tractatus," CEA Critic 49 (1986): 139–148.
Anne Massey, "Cold War Culture and the ICA," Art and Artists 213 (June 1984): 15–17.
Neil Maycroft, "Marxism and Everyday Life," Studies in Marxism 3 (1996): 71–91.
Verena Mayer, "Der Tractatus als System," Acta Analytica 10 (1993): 67–92.
Jon McAuliffe, "Those Fabulous Foreign Pressings: The Complete Buddy Holly," Music World 83 (1981): 34–37.
Martin McBirney, "Ludwig Wittgenstein and the Theory of Parallel Universes," Journal of Irreproducible Results 43(4) (1998): 23–24.
H. V. McLachan & J. K. Swales, "Sraffa, Wittgenstein and the Nature of Economic Theory," Journal of Interdisciplinary Economics 9 (1998): 253–271.
Humphrey McQueen, "The Essence of Modernity," Island 52 (1992): 15–19.
Eddie S. Meadows, "A Preliminary Analysis of Early Rhythm & Blues Musical Practices," Western Journal of Black Studies 7(3) (1983): 172–182.
James Meller, "Don't Knock the Rock," Cambridge Opinion 17 (1959): 33–35.
Bill Millar, "The Unheralded Nappy Brown," Blues Unlimited 31 (1966): 8–9.
Lloyd Miller, "The Sound of Protest," Case Western Reserve Journal of Sociology 1 (June 1967): 41–52.
Charles S. Milligan, "Reflections on the Gas Chamber," Iliff Review 23 (1966): 3–13.
Kurt Mohr, "Mickey Baker: discographie," Soul Bag 90–91 (1982): 22–30.
David Monaghan, "Taking Bob Dylan Seriously: The Waste Land Tradition," English Quarterly 6(2) (Summer 1973): 165–170.
C. P. Mooney, "Ludwig Wittgenstein and Martin Heidegger: A Rapprochement," Nassau Review 2(4) (1974): 31–56.
Lynda Morris, "What Made the Sixties' Art So Successful, So Shallow?," Art Monthly 1 (1976): 9 ff.
Lynda Morris, "What Made the Sixties' Art So Successful, So Shallow?," Art Monthly 2 (1976): 11 ff.
Richard D. Mosier, "Reflections on the Philosophy of Wittgenstein," Philosophy of Education Proceedings 23 (1967): 121–126.
Georgie Myers, "Abolition de la peine de mort et politique carcérale," Revue des sciences morales et politiques 137(3) (1982): 371–385.
Daniel Nelson, "Borges and Heidegger: Two Similar Aesthetics," in Luis A. Ramos-García (ed.), Southwest Graduate Symposium of Spanish and Portuguese Literature and Language (Austin: Studia Hispanica Editors, 1980): 128–149.
Francis Newton, "Here Today the Throw-Away Art of Pop," Town (May 1963).
Helga Nowotny, "From Future to the Extended Present: Time in Social Systems," in G. Kirsch et al. (eds.) The Formulation of Time Preferences in a Multidisciplinary Perspective (Aldershot: Avebury, 1988): 17–31.
Martin L. Pahls, "Golden Oldies Revisited," High Fidelity 21 (February 1971): 55–60.
George Pappas, "Pop Art," Quartet 2(14) (Spring 1966): 2–3.
Gary Paulsen, "Jules Bihari!," Blues Unlimited 68 (1969): 13–14.
Benedikt Peppinghaus, "Some Aspects of Wittgenstein's Philosophy of Mathematics," in J. Bell (ed.), Proceedings of the Bertrand Russell Memorial Logic Conference, Uldum, Denmark, 1971 (Leeds: University of Leeds Press, 1973).
Jacques Perin, "Mickey Baker: Life Is Strange," Soul Bag 90–91 (1982): 5–22.
Jim Pettigrew, Jr., "From Rhythm 'n Blues to Disco: A Broad Overview of Atlanta's Pop Music Since 1945," Atlanta Historical Bulletin 21(2) (1977): 114–138.
D. Z. Phillips, "Suspended from Heaven: Religion, Ethics and Modernity," Archivio di Filosofia 64 (1996).
Gary D. Plummer, "Flowers in the Rock Garden," Maryland Historian 2(2) (1971): 123–126.
Jed Rasula, "The Media of Memory: The Seductive Menace of Records in Jazz History," in Krin Gabbard (ed.), Jazz Among the Discourses (Durham: Duke University Press, 1995): 134–162.
David Reisman, "Crosland's Future: The Missing Chapter on Burnham's Managerial Revolution," in Warren J. Samuels (ed.) Research in the History of Economic Thought and Methodology, Archival Supplement 6: Contributions to the U. S., European and Japanese History of Economic Thought (Greenwich: JAI Press, 1997): 207–227.
Toni del Renzio, "Pop," Art and Artists 11(5) (August 1976): 14–19.
Larry Resnick, "A Very Short Guide to Understanding Wittgenstein," Eidos 9(1) (1990): 67–77.
Clive Richardson, "The Fifties Explosion," Black Echoes, 13 February 1976.
Carlin Romano, "The Wittgenstein Industry: Saving Ludwig From His Friends," Voice Literary Supplement, August 1982: 8–12.
J. C. Rupp, "The Last Drop," Forensic Science Gazette 3(1) (1972): 1–3.
John Russell, "Pioneer of Pop Art," Sunday Times Colour Magazine, 4 February 1962.
Joe Sasfy, "The Short Song of Little Sonny Warner," Washington City Paper, 7–13 November 1986.
Steven S. Schwarzschild, "Speech and Silence Before God," Judaism 10(3) (1961): 195–204.
Frank Scott & Gary Paulsen, "Joe & Jules Bihari," Blues Unlimited 73 (1970): 9–12.
Frank Scott & Gary Paulsen, "Joe & Jules Bihari," Blues Unlimited 74 (1970): 11–12.
Frank Scott & Gary Paulsen, "Joe & Jules Bihari," Blues Unlimited 75 (1970): 11.
Greg Shaw et al., "Fanzines: Surveying Them, Editing Them, Reading Them," Fusion, July 1972.
Takashi Shimazaki, "Wittgenstein-Forschung in Japan," in G. Schenk & I. Max (Hg.), Logik-Sprache-Philosophie: Ludwig Wittgenstein (1889–1951) (Halle: MLU, 1990): 73–84.
Marlin Shipman, "'Killing Me Softly'? The Newspaper Press and the Reporting on the Search for a More Humane Execution Technology," American Journalism 13(2) (1996): 176–205.
Don Sievert, "'Ethics does not treat of the world — ethics must be a condition of the world, like logic': Notebooks 1914–1916," Southwest Philosophy Review 10 (1994): 199–208.
Don Sievert, "Throwing Away Wittgenstein's Ladder But Working with His Net, or, Do Cora Diamond and I Chicken Out?," Southwest Philosophy Review 12 (1996): 161–170.
John E. Smith, "The Impact of Wittgenstein," Christian Scholar 43 (1960): 239–245.
John Snashall, "The Nixa/Pye Story," International Classical Record Collector 1 (May 1995): 8–17.
John Snashall, "The Nixa/Pye Story," International Classical Record Collector 2 (September 1995): 57 ff.
John Snashall, "The Nixa/Pye Story," International Classical Record Collector 3 (November 1995): 52 ff.
Tim Sowden, "Mods & Rockers," World Art (Australia) 19 (1998): 76–81.
F. E. Sparshott, "On Saying What Philosophy Is," Philosophy in Context 4 (1975): 17–27.
M. Spicer, "The National Lottery of Capital Punishment," Criminologist 20(1) (1996): 37–42.
W. J. H. Sprott, review of Tractatus Logico-Philosophicus by Ludwig Wittgenstein, Cambridge Review 44 (1922): 202 ff.
Alfred Spröde, "Zwei Projekte 'moralistischer' Literatur: Die Bedeutung des Aphoristikers und Sprachphilosophen Ludwig Wittgenstein für den Schriftsteller Aleksandr Zinov'ev," Colloquium Helveticum 8 (1988): 95–120.
Daniel Steuer, "Following Telepathy Along Riverbeds and Maelstroms: Freud, Wittgenstein and Benjamin on Language and Communication," in Bernhard Debatin, Timothy E. Jackson and Daniel Steuer (eds.), Metaphor and Rational Discourse (Tübingen: Niemeyer, 1997): 77–89.
Mark Steuer, "A Night Before the Music Died," Voyageur: Northeast Wisconsin's Historical Review 9(2) (1993): 17–25.
Kristine Stiles, "Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance," The Act 1 (Spring 1987): 22–31.
Dieter Stolte, "Logik ist die Hölle: zu Wittgensteins Schriften," Monat 14 (1961): 66–70.
S. Sullivan, "The Proto-Fascism of the Rolling Stones," Praxis 1 (1971).
Gian Paolo Terravecchia, "Lo stile di Wittgenstein," Verifiche 24 (1995): 101–123.
Daniel Tiffany, "Pound, Frobenius and Jünger: The Spell of the World-Picture," Paideuma 28(1) (1999): 9–23.
Bez Turner, "'A Crap Shootin' Fool': Eli Toscano's Labels," Blues Unlimited 134 (1979): 19–21.
Bez Turner, "'A Crap Shootin' Fool': Eli Toscano's Labels," Blues Unlimited 135–136 (1979): 20.
Bez Turner, "Vee-Jay Records," Blues Unlimited 135–136 (1979): 21–27.
D. Vree, "Reflections on Wittgenstein, Religion and Politics," Christian Scholar's Review 3 (1973): 113–133.
D. Walshaw, "Has It Happened Before?," Justice of the Peace 155 (1991): 788–789.
Ed Ward, "Texas Rock 'n' Roll," Texas Humanist 7(6) (1985): 11–14.
Doug Whitton, "Inside Rhythm and Blues," Jazz Journal 5(10) (October 1952): 1–2.
Mark Wickham-Jones, "An Insular Party? Labour's Century in Comparative Perspective," Renewal 8 (2000): 15–25.
Thomas Wiener, "The Rise and Fall of the Rock Film," American Film 1(2) (November 1975): 25–29.
Thomas Wiener, "The Rise and Fall of the Rock Film," American Film 1(3) (December 1975): 58–63.
George Williamson, "Recent Canadian Work on Wittgenstein: 1980–1989," Eidos 9(1) (1990): 79–104.
Günter Wohlfart, "Sprachanalytik und Poetik: Bemerkungen zu einem wenig beachteten Aspekt der Sprachphilosophie Wittgensteins," Salzburger Jahrbuch für Philosophie 32 (1987): 79–92.
A. B. Wolter, "The Unspeakable Philosophy of the Later Wittgenstein," Proceedings of the American Catholic Philosophical Association 34 (1960): 168–193.
Richard A. Wright, review of Tell Me Why: A Beatles Commentary by Tim Riley, Quarterly Journal of Ideology 13(3) (1989): 53–55.
Catherine Yronwode, "Why The Complete Buddy Holly Isn't Complete," Music World 89 (1981): 144–146.
Heinz Zemanek, "Wittgenstein und der Computer," Die Presse, 17 March 1973.
Heinz Zemanek, "Messerscharfes Österreich — Wittgenstein und die Informatik: österreichische Beiträge zur Formalisierung," in Friedrich Stadler (Hg.), Wissenschaft als Kultur: Österreichs Beitrag zur Moderne (Wien: Springer, 1997): 79–114.
Arnulf Zweig, "Wittgensteins Schweigen," in Gertrud Koch (Hg.), Bruchlinien: Tendenzen der Holocaustforschung (Köln: Böhlau, 1999): 163–180.
T P Uschanov's Icy Frigid Aire